We know that supplying fresh produce isn’t always enough. Looking at all the brightly coloured fruit, veg and salad can be a bit confusing. Here we will offer great recipes, and links to help inspire you to create beautiful tasty dishes from your shopping basket and larder.

Top ten food websites in the UK

1.BBC Food Website

There are thousands of recipes here. Blogs, Competitions, How to Cook, Healthy Cooking, Magazine and Apps pages. Worth a look for inspiration.

http://www.bbc.co.uk/food/recipes/

 

2.BBC Good Food Website

Another Great Website packed with recipes and Blogs, that will get your mouth watering.

Most of the recipes that you find here have comments and feedback. A professional site by the BBC!

BBC Worldwide is a commercial company that is owned by the BBC (and just the BBC).

No money from the licence fee was used to create this website.

The profits we make from it go back to BBC programme-makers to help fund great new BBC programmes.

http://www.bbcgoodfood.com/content/recipes/

3.The Good Food Channel

The Good Food channel has some of the most mouth-watering programmes on TV. With delicious recipes and your favourite celebrity chefs from Rachel Allen to James Martin and Aldo Zilli, we’ve a world of food entertainment to feast on. www.goodfoodchannel.co.uk is home to over 14,000 recipes, how-to-cook videos, food quizzes and regular foodie competitions.

Some great ideas for making food fun for the kids, like these Potato Mice!

4.Jamie Oliver.com

Jamie Oliver is a phenomenon in the world of food. He is one of the world’s best-loved television personalities and one of Britain’s most famous exports. Jamie has had huge success with television series The Naked Chef (BBC), Jamie’s Kitchen, Jamie’s School Dinners, Jamie’s Great Italian Escape, Return to School Dinners, Jamie’s Chef, Jamie at Home , Jamie’s Ministry of Food , Jamie Does…. and more recently Jamie’s 30 Minute Meals and the Emmy Award-winning Jamie’s Food Revolution (ABC), as well as the one-off specials Jamie’s Fowl Dinners, Eat To Save Your Life, Jamie Saves Our Bacon and Jamie’s Fish Suppers (all for Channel 4).

Jamie has inspired people to spend more time enjoying being in the kitchen – and even start growing their own food! His programmes have now been broadcast in over 100 countries including the USA, Australia, South Africa, Brazil, Japan and Iceland. Having been translated into over 30 languages, the accompanying cookbooks are bestsellers not only in the UK but across the world. His 2010 book, Jamie’s 30 Minute Meals, became Jamie’s first million-selling book in the UK as well as being the fastest-selling non-fiction book since records began.

The high street restaurant collection ‘Jamie’s Italian’ is hugely popular across the UK and the Fifteen restaurant group which he founded in 2002, provides training for young people in three locations around the world as well as producing food of the highest quality. Jamie’s newest restaurant, Barbecoa in London, is a partnership with American chef Adam Perry Lang. Jamie lives in London and Essex with his wife, Jools and his kids, Poppy, Daisy, Petal and Buddy.

http://www.jamieoliver.com/

5.Nigella Lawson – online cook along, to her favourite products and of course recipes, and a blog she is constantly updating with seasonal recipes.

http://www.nigella.com/

6.Eat the Seasons (eattheseasons.co.uk) is updated every week with a list of the foods currently in season, as straightforward as they come.

http://www.eattheseasons.co.uk/

There are a number of good reasons to eat more local, seasonal food:

• to reduce the energy (and associated CO2 emissions) needed to grow and transport the food we eat
• to avoid paying a premium for food that is scarcer or has travelled a long way
• to support the local economy
• to reconnect with nature’s cycles and the passing of time                                                                                                                                                                        but, most importantly, because

• seasonal food is fresher and so tends to be tastier and more nutritious

7.Epicurious

Epicurious (epicurious.com) has a vast range of recipes, primers on baking bread and making pies, and an iPhone app to create shopping lists from recipes.

Welcome to Epicurious! We are happy to offer you the very best recipes, cooking features, and video how-tos on the Web.

If you have any questions about locating topics on Epicurious, we hope you’ll find the answers right here.

Navigating Epicurious

At the top of every page, you’ll see Recipes & Menus, Articles & Guides, and Community categories.

Recipes & Menus includes Quick & Easy ideas, Holiday recipes, Healthy menus, Seasonal and International Cooking, Desserts, and Drinks.

In the Articles & Guides category, you’ll find Entertaining tips, How to Cook, news on nutrition in Healthy Cooking, Holidays & Celebrations, the world’s top restaurants in Dining & Travel, Kitchen & Equipment, and interviews in Chefs & Experts.

Community encompasses My Epi; the epi chat room, where you can discuss food and recipes with other Epicurious members in real time; and Forums.

We’ve highlighted topics within the main Epicurious categories in an easy-to-use list at the left on the homepage, so you can quickly pinpoint the information you want.

Related Content suggests features and recipes that might interest you, based on the articles or recipes you choose. For example, if you access our Going Global Irish cuisine feature, the related content to the right might include a St. Patrick’s Day menu and a profile of a prominent Irish chef, plus some top-rated Irish recipes.

http://www.epicurious.com/

8. Tesco’s

We like to promote local shops and businesses, but there are lots of great ideas for cooking on Tesco’s website.

 

 

 

 

Welcome to the exciting new food website from Tesco set to change the way you feel about food.Each week, I’ll be bringing you delicious, easy-to-achieve recipes and regular updates on seasonal ingredients arriving in store as well as top tips and savvy buys. Above all, this website is about making cooking and eating great food as relaxed, easy and enjoyable as possible. We hope you enjoy it.

http://www.tescorealfood.com/

9.Supercook

Supercook(supercook.com) is a recipe site with a clever twist: you enter the ingredients you have at home and the search engine finds recipes from food sites to use what you’ve got.

http://www.supercook.com/

10.Taste Spotting

Taste Spotting (tastespotting.com) is food porn of the highest order: it offers photographs of glorious dishes, which you can click on to find a recipe for.

http://www.tastespotting.com/

Thank You For Reading!

Here is the link list for quick reference:

1. http://www.bbc.co.uk/food/recipes/
2. http://www.bbcgoodfood.com/content/recipes/
3. www.goodfoodchannel.co.uk
4. http://www.jamieoliver.com/
5. http://www.nigella.com/
6. http://www.eattheseasons.co.uk/
7. http://www.epicurious.com/
8. http://www.tescorealfood.com/
9. http://www.supercook.com/
10. http://www.tastespotting.com/

Please feel free to add a comment, or suggest your favourite food web site!

Group Exhibition June 2nd-16th, 2011 At 133-137 Westbourne Grove. Notting Hill, London, W11

Sensation Modern Fine Art International Artists

Group Exhibition June 2nd-16th, 2011

At 133-137 Westbourne Grove. Notting Hill, London, W11

Tel. 0207 821 8717 M:07528 333 884

e-mail: sophie@sensationmodern.com

The Patrons of Sensation Modern Exhibition are:

Louis-Philippe d’Austricourt, Prince of Arganville, New York

Charles-Henry d’Austricourt, Prince of Arganville

http://www.sensationmodern.com/

http://sensationmodern.blogspot.com

SM Banner

A Saturday Night in Westbourne Grove

On arriving, the central placed building, peers over trees, standing proud amidst an array of beautiful shop windows and bustling cafe’s. The gallery is a lovely building that echoes the upper end market of Notting Hill.

Sophie Dare, has produced a wonderful exhibition, showcasing a sample of work from a diverse group of  Artists – Sensation Modern.

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When you walk through the main doors you are met by huge contemporary paintings by the well established Anthony John Grey, bold brass and metallic pieces, by Bob Allen involve the audience with the space of the room. Christina Phillips, a ceramic sculptor from North Wales, has a few of her beautifully detailed mosaic rich,colourful glazed masks hanging connecting the space with the large sculptures and paintings. The organic curves and lines, that the three dimensional pieces throughout the gallery create, build view-ports and stepping stone like links, between the overwhelming array of paintings.

The atmosphere in the three levels of the gallery vibranty, interconnects the contemporary, abstract and conceptual art with other classic, impressionist and hyperrealism styles, such as, Elena Orlova Afinogenova’s Perrot And Chinese Roses, upstairs, and Boris Anikins gold leaved Rault adjacent.

The artists were there, to show you around, warmly greet you, and open your mind to the concepts and intentions of the images, sculptures, and paintings. The friendliness and warmth from the curator Sophie Dare, and Sensation Moderns exceptionally talented Artists, made the gallery an exciting, real, and personal experience, in which to appreciate a well thought out, collection of art.

The smaller detailed ceramics, createdfocal points of detail, stirring the evocative emotions that unite the majority of the art pieces. Lovers of art are taken through a journey of styles, chattering, and laughing ricochet from canvas, glass, clay and resin alike.

Cameras take slices of the moment with them, the hum of voices from the pools of people that attract into various corners, meander throughout the building as the night closes. Admirers debating, discussing and describing respond emotionally to paintings and sculpture alike.

Sensation art runs through as a theme, with explicit emotive series of masterful paintings by the intoxicating Julius Lewandowski, vibrant, energetic jaw gaping talents of Jessica Suarez, who are attending the exhibition daily. Also below the spiral staircase Aram Kupetsyan’s Violini,  hangs in homage to Picaso’s Violin and Grapes, amongst Victor Rapopov Endeavour, 2009 Oil On Canvas 120 x 80 cm

Cameras take slices of the moment with them, the hum of voices from the pools of people that attract into various corners, meander throughout the building as the night closes. Admirers debating, discussing and describing respond emotionally to paintings and sculpture alike.

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Christina unveils her most recent piece, and talks me through some of her work, carefully placed, hung and snuggled up into corners. She has a home for each piece in a well converted and designed stone outhouse. Fresh meadow flowers tainted with drying clay combine naturally, painting the air with Christina’s understanding of nature and its importance to the grounding sensual materials she works with.  A recent circular spiders web, is admired and gazed upon adoringly, as much, if not more than the clay masks and models that adorn it.  The elements may be seperated by huge Welsh rocky walls, but nature is welcomed, loved and thrives within Christina’s peaceful studio.

The most enormous tactile mug of tea, spurs on the chatter, warm giggles resonate as our conversation stumbles into a tone of contemplation and reflection. Christina effortlessly begins to explain her story, describing some minor milestones and life changing choices, she begins to pave a path up into her wonderful workshop, studio; space.

When did you start to work professionally as an artist?

I uncovered my talent for sculpture after finishing my degree.  Christmas 2005 after being given a lump of clay to play with by friend and ceramic’s teacher Miranda.  She was impressed and really it was due to her encouragement, and sourcing me more clay and a kiln, that I am doing this now, I have to thank her for being the artist I am now.  I started working seriously in 2009 after being commission and selling the odd pieces, first I worked doing workshops with children at a local theme park whilst making my own stuff but the art sales were what was happening so that is what I went with.  I set up as a sole trader with blackcutwitch designs in April 2010.

Overwhelmed by the peaceful rural settings I ask “What do you do for inspiration?” Fighting a double raised eyebrow smirk…

My mind is teeming with creative ideas all the time so I don’t really look for inspiration.  I have such a diverse range of interests, which I feed through study and networking (twitter is great for this) and this means that when I think creatively there is a lot there to go on.  If I have something specific to make but am having difficulty starting I look to the materials in which I might work and it all follows from there.  I live in a very beautiful place with a lot of head space available and this, I am sure, allows the creative juices to flow readily.

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When I use bare clay I speak through texture and form, when using mosaic it is surface, colour and pattern and when doing mixed pieces, it is line and surface.  (that was very muddled, sorry!!) I use the face as a sort of ‘meta’ medium, since one can convey so much in a subtle expression but it is also so open to individual interpretation.  I think it is important for a work of art to speak on many levels and to be open to different interpretations hence having a longevity in the eye of the viewer i.e. I have made a mask which sometimes I can’t even look at because it spooks me out, however on other days it seems to come into beautiful life!!  Surfaces add dimensionality to a piece and can speak almost like a story or a painting, glass mosaic gives a depth of surface which is quite other and I hope conveys a sort of fourth dimension within a piece.  Physics comes into play, particularly in the mosaic work.  The glass adds dimensionality and the grout distorts the form.  Different types and shapes of glass reflect and distort differently so can convey different messages, playing with the way we percieve.  (sorry lot more than a paragraph)

W

hen I do Mathematics I often use differential calculus and this is based on the idea of taking a continuous function (i.e. a curved line ) and breaking it into tiny discrete pieces very much like mosaicing in 3D, turning a series of flat (sometimes square) pieces into curved surfaces and curved shapes.  In numerical modelling (which I have learnt within the context of Ocean Physics)  one uses this concept to model highly complex behaviours using a computer.  The smaller the discrete lumps are made the better the computer models the situation and this is like the use of larger or smaller pieces of mosaic to define and sometimes to flatten curvatures.

(sorry hun ) Sexual politics is very strong in the ideas that I have.  All of my erotic pieces are based in this, I have some up coming ideas that take this a lot further.  I think a lot of societies ills are based in sexuality, much more than people realise.  So I guess my erotica is also my political rant!

Managing my time is very difficult.  My partner is amazing and it is thanks to his continued support that I have been able to work as an artist.  My son has watched my artistry develop as he has grown older and was so good last year; it was his summer holiday when we were building the studio but he kept himself occupied as much as a nine year old can!  I have to work part time @ 5 – 6hr a day.  In general my average day goes like this; I drop my son off and walk the dog, do my webby housekeeping while I have breakfast then try to be in the studio by 10.30am, sometimes the admin and sales stuff takes over the whole day which can be quite frustrating.  I try to have a huge breakfast these days so I can skip lunch then do the school run.  As my son gets older he has his own thing to do so sometimes I can pick up work again after we’ve had a chat and a snack. Other times we do the shopping, go and see Nana, go and see friends, attend appointments or go for a swim; the usual things children and part time working parents do.  Working full time will be quite a jolt. Occasionally I take time out during the week to help my partner’s elderly grand mother,  I usually make up the time at the weekend or in the evening.  I have not had enough income to start having Jake in childcare after school or I would for at least three days a week.  At the moment the extra time I need is found at the weekend while my partner does what has to be done at home I work on pieces or net/admin stuff.  Like he is right now!!! )  funny yeah!

I was brought up in and around London, born in Hillingdon, Middlesex.

About 19 yrs ago I moved to Wales since it was where my ex husband had been brought up and we visited often.  I was lucky enough to find a good bar manager job here which was actually a promotion from my position in Kingston, Surrey, and now own my own little stone cottage in the hills.  I always pined to be in the hills and cried when we went home after visiting mid Wales when I was about 12.  I understood ‘hiraeth’ (Welsh language; a longing for home, and the things of home i.e. smells, sights) even before this place had become my home.  I used to have an ache in my soul and it quieted when I moved here and was silenced once I started to create in clay.

Whilst ‘down sowf’ I worked as a model, in exhibition promotions and in various temp office jobs.  I settled for a few years in the hotel and bar trade before moving up here.  I moved out of the bar trade into owning my own shop selling fairtrade clothes and local art work before going to college to study science.  I spent 10 years in all studying Mathematics, Physics and Oceanography (even a little electronic engineering) this was with a break in the middle when my partner got his Psychology degree, our son was born and we moved into our long term home.  I now have a degree in Mathematics and Physical Oceanography and a Diploma in Physics from the Open University.  I have taught Physics and Maths,at foundation level, to foreign students coming to the local university to study.  This September I shall be studying for an MSc in Applied Physical Oceanography at the prestigious School of Ocean Sciences at Bangor University.  I am excited about this as due to crossover with my degree I couldn’t sit this MSc when I finished at Uni 6 years ago.  I am hoping to specialize in the numerical modelling of the dynamical effects of the placement of renewable technologies in the ocean environment.  It should  be easier now since my son is older but now I have another baby – my art business!!

My son and my partner are both wonderfully supportive and continue to be, probably because I recognise what they do and do not take it for granted.  My friends have been vital, every time I have felt like giving up one of them either asks for a present idea, tells me how great something is, or even tells me how they find what I am doing inspirational.  This kind of support is so important and really helps to keep me going.  I am also very lucky to have some very talented friends who helped with suggestions for building a web presence, writing marvellous press releases and articles, doing classy photographs and even just giving me constructive feedback about my pieces and ideas.  They have always been so understanding about the slow speed of an artist’s cash flow!!

I started working professionally as an artist in  April 2010, with the commissioning of ‘Heather Sprite’.

I work between 20 and 40 hours a week, I think!!  It just doesn’t stop when you’re self employed and you are doing something you love.

Clay costs between @ £10 and £25 per bag but the postage is @£10 per 2 bags.  I tend to go and get it myself in bulk whenever I can, it’s good to go and visit Potclays because I can discuss new clays and glazes and sometimes get sample bags etc.  The glazes cost between £3 and £15, the stoneware glaze that I use on tableware is quite expensive but it is totally non toxic and because it fires so high it is very durable.  I use an electric sitter kiln of hobby size which sits in the corner of our kitchen, this limits the size of my pieces but is convenient.  I try to fire as little as possible being conscious of environmental impacts and all my glazes are non-toxic.  Each firing costs about £5 to £7, depending upon the time required, and can take up to 13 hours.  Cooling then requires a further 13 hours before you can open the kiln.

My mosaic all comes from Mosaic Heaven and cost @£3 to £5 a bag.  A recent piece cost @ £30 in all for materials and firing but took many hours and will be worth over a thousand, so cost doesn’t really hold me back unless things have been very slow and I want a specific finish or clay.  In this case I will compromise but this often brings new and interesting results so I don’t mind too much, I just see it as fate playing a hand in my work again.  Quality and correct colour are very important to me but it’s up to me to make it right as best I can.  If I can’t I won’t do it.

http://www.sensationmodern.com/

Christina’s natural intuition of her pieces flamboyantly execute a meridian of skills. Evocative Torus’s to detailed mosaic masks, Christina Phillip’s sculptures ooze a beautiful original quality.

On June 4th, Christina will be creating a a piece of art, inspired entirely by the atmosphere of the day.

Christina will start working clay early afternoon, and allow the atmosphere of the gallery, its contents, fellow artists, art lovers, and enthusiasts to excite her, and influence this one off piece.

A few of her beautiful pieces will be exhibited from 2nd – 16th June in Notting Hill, London, accompanied by other contemporary and talented established and up and coming artists.

I will be going to meet her on Saturday in Westbourne Grove, Notting Hill, London. I will record the experience, with a camera, and a note book. I hope to encapsulate Christina’s working process and share with you the live interaction and newly forming relationship and rapport with both artist and audience.

To keep up to date with Christina’s work, follow her:

Contacts and websites:

http://www.sensationmodern.com/ Sensation Modern

https://twitter.com/#!/blackcutwitch Twitter

http://www.blackcutwitch.co.uk/Blog

http://www.facebook.com/id=1839045968132&sk=messages#!/blackcutwitch FB Page

I have always recycled my bottles at least since sharing houses and becoming aware of the ‘bins’. That was a trip to the supermarket carpark with anyone who was willing to fill their car up with beer sodden plastic bags of beer cans bottles and numerous vodka bottles. Pop  your plastic bags in the neighbouring recycling bin for bags and your concsiounce was clear, along with your flat mates.

It is even easier now. We have blue bins/tubs for bottles and glass, red ones for card and various other textiles and recently have been given a brown bin (with handy lock and smaller bin with lock) and biodegradable special plastic bags – with the council badge printed on it

Some of you might have the same set up. Our usual weekly black wheely bins are only emptied fortnightly as opposed to weekly and have a green wheelie bin for garden waste collections either side.

It would make more sence to me to give us compost bins, but you have to request one of those..might even have to pay, not too sure I will investigate.

But my brown bin wasnt emptied along with my usual recycling tubs so now I have oodles of council bags with food waste in. I have put them in my green bin for now as I only fill that when the grass is on super grow mode and I have decided to cut the neighbours grass.

But I am shocked how difficult people have taken this chore to be. I can see how little people put out in comparrison to me – they must be putting most of their rubbish in the black bins (or mine haha).

Even when you are forced to take small steps to help people in general are reluctant. Is it because they are told or forced into doing it? Or do old habits die hard?

I hope people do take these small steps. Even if it may not be the best solution, and not always that economical, it is better to try than to continue over filling our wasteland.

If the councils were to allocate a new waste land site to the areas that did the least recycling, I wonder if that would make people act? I know it is a tad embarressing, for all the neighbours to see, especially if you have had friends over and got through some tinnies. But hey – I am not ashamed to say at least I am trying!

Come on council get my new waste bin emptied, and keep up the hard work!

You bin men are heroes! Thank You for taking my rubbish away and keeping my car smelling sweet!

“Damm” She shouted and ran out the house through her garden, hair flapping and slapping her in the face. She drove her BMW off toward the corner shop frantacally. She parked a good 2feet from the curb, and darted into the shop.

“Good Morning”  Vera said, whilst serving a tall man, as Sasha swooped past.

“Morning” Sasha replied grabbing a bottle of fresh orange and The Guardian.

The pace in the shop felt off kilter as people meandered in slow motion blocking her every avenue of passage. “Come ON” she screamed inside to herself, hoping they could see the urgency in her face as she mouthed the words silently.  The wait was painful. After a confusion over a lottery ticket and a failed debit card and several other customers Sasha opened the juice and began reading her paper, already resigned to a stern rollicking imminently.

“Lovely fresh day isn’t it today love?” Vera asked perkishly

“Mmm bit windy” Sasha replied handing over the chewing gums, malteasers and bottle of red that she had acquired whilst waiting, along with a mostly empty orange and crumpled paper.

Sasha paid and flashed Vera a smile, pulled the bottle and its plastic bag and contents up close to her chest cupping the bottle in her palm and turned quickly and sharply into the torso of a broad man. He took a step back, and she fell forward stumbling releasing the wine to catch herself, knocking a boy sideways and knocking over a stand of hair accessories and tat.

The wine bottle smashed mainly inside the carrier bag, splashing mainly Sasha and the man she bumped into.

With it having been Rainforest week, the Rainforest is high in peoples consciousness if you are a TV or radio guy, you will know its been getting a fair bit of attention. Which is all very good news and also another worry we often put tucked away along with the many other scary things we have some responsibility for.

If you ignore the beauty and wonder and the amazing creatures of the forest disappearing rapidly, you really cannot ignore the fact that there will not be enough oxygen for us all if it were completely eradicated. The EastEnders Mitchell brother, Ross Kemp quoted 40 years untill the Amazon Rainforest is destroyed. Which is not a very long time is it?

My facts and figures are  some what confused, I cannot remember how many times I have been told about a football pitch a second destruction, or how many years it has left, but I really do not want for us to have to ‘manage’ without the trees.

But for as hopeful as I am, I can see that at some point this will become a huge issue. We might have to make our own oxygen rich air.

Will we all be constructing our own oxygen generators?

I love this simple way of making oxygen. But the side effects seem a little crazy, unless we can sell the hydrogen?

This article is fascinating. Making oxygen seems easy and possible when you read the “how to make an oxygen generator”. When you try to understand the complexities of the key steps of photosynthesis taken from an article from Discover by Mark Andrews, my hope for a ‘man made photosynthesis lab’ has some what diminished.

Peering deep into these proteins, Fleming and his colleagues at the University of California at Berkeley and at Washington University in St. Louis have discovered the driving engine of a key step in photosynthesis, the process by which plants and some microorganisms convert water, carbon dioxide, and sunlight into oxygen and carbohydrates. More efficient by far in its ability to convert energy than any operation devised by man, this cascade helps drive almost all life on earth. Remarkably, photosynthesis appears to derive its ferocious efficiency not from the familiar physical laws that govern the visible world but from the seemingly exotic rules of quantum mechanics, the physics of the subatomic world. Somehow, in every green plant or photosynthetic bacterium, the two disparate realms of physics not only meet but mesh harmoniously. Welcome to the strange new world of quantum biology.

This is an excerpt from this article

So what is your plan for the future? I am seriously thinking of giving up gelatine and soya..and reducing my cosmetic & cream consumption. I would much rather try to preserve our natural oxygen providers..not to mention the algae and others, than to rely on a man made version!

I might get some test tubes and salt and a battery set up in the attic..you never know?

Read more with SoberCollege about the drugs impact and other issues.

Another great blog green and clean earth has lots of great tips too.

It often turns into a marathon of  ”Come on now eat up” and “You need it eat to be big and strong like a super hero” and find myself quoting my Granddad ”You will shrivel up and fall down the drain if you don’t eat all your dinner”. It scared the life out of me at five, but my kids must be desensitised to my hollow threats, as it very rarely works unless its the obvious ‘bad’ foods they have no trouble eating.

But God gave us Heinz – and tomato soup that to me, is a gift from the Angels!

Oh the mess…red splodges up the walls in the hair and everywhere, but it is so worth it, to see them all dunk bread and devour an instant dinner, full of ‘good’ stuff – and a bit of bad salty preservative stuff too I suppose. But no matter how sick, or tired or choosy they are, they seem to ALWAYS eat tomatoe soup. I must add that it really only is Heinz that goes down so well. The cheaper ones are left after a few ginger slurps and the bread soldiers are turned into little men who cross the Nile and make Moses look an amateur.

Two whole tins between three little ones, so much for Mummies leftovers! I think I will have to cook myself something else today.